LEGO City

Looking around at some LEGO blogs this week, I've discovered that the term most LEGO enthusiasts would use for me is "spacer," ca va dire one who is at play most often in the space themes, and whose original creations are often spaceships. There are a couple hints as to why in the review I gave of Mission to Mars, but I think it boils down to carrying no creative dead weight. Pirates, castles and knights, even the recent Vikings sets all have some historical dead weight. If I want to make something, it has to be something that existed 200, 500, or 1000 years ago. That means making it out of wood or stone. If I had more interest in LEGO architecture, I suppose I could have built enormous castles, but I don't.

Licensed themes have their own dead weight, which is the universe they come from. Harry Potter or Star Wars or Batman may all be cool in their LEGO incarnations (and in fact, one of the coolest video games ever made was the double license LEGO Star Wars), but it's difficult to add to that universe with your own builds.

But the space themes I grew up with: Space Police II, Spyrius, Exploriens, Magnetron, Blacktron II, Ice Planet, and so on, don't suffer from any of those limitations. You can build anything you want, and the universe is so ill defined that anything you build fits in it.

But recently, LEGO City has been drawing me in. It started with the shipping port. A container ship, a crane, and a little truck… it doesn't sound particularly inspiring, but it was all very cool. The truck, especially, which was a tiny part of the model, was very cool. From there, I continued the transport theme by building the Airport, which has a little commuter plane. And since then I have built a fire station, a police station, a hospital, and a gas station, a tiny little part of LEGO City that would represent, what? A bayside regional airport, close to a small shipping port, that happens to be located close to the major services of the town? I suppose it doesn't hold up particularly well, but it was all enjoyable.

I don't know when LEGO added motorcycles like the one above, but I'm pretty fond of them. Cars still don't look particularly realistic, which is a scaling problem, but trucks–if you like boxy cab-over-engine designs–look pretty good in LEGO scale. At home in my town are two firetrucks, a cement mixer, a garbage truck, the little container truck that came with the port, and an ambulance, all with more or less the same clever front grill.

I'll be watching the set additions in the coming months, looking to improve my LEGO city, because it looks like the strongest theme going right now. It's only a shame that I can't really add much from my own collection, having stayed away for years from wheeled vehicles in favor of space ships.

The Broken String

The Broken String
Bishop Allen

Bishop Allen released their second full length album this week, called The Broken String, and I was excited to pick it up, and then somewhat disappointed to discover that 10 of the 12 songs were new versions of songs from their monthly EPs of last year. In fact, including the live versions on the August EP, I have some of these songs 3 times, and I think "Butterfly Nets" 4 times.

Fine, I guess, if these were the definitive versions of the songs, but I don't feel like I can make that statement with a clear conscience. While the songs are all arranged differently than on their original EPs, I'm not prepared to say that they're arranged better, with one caveat: I think the bass guitar is better on this record than it was on most of the EPs. Read into that what you will.

I'm especially worried about the new version of "Corazon," which may have been my favorite of the month songs (from January). It's about a piano, and the original featured a banged up old piano. That piano is somewhat lost in the new arrangement.

But the question that really needs to be asked here is "why?" It's one thing (and I think many would say still a shameful thing) for an artist to release new versions of old songs at the end of a career, as a retrospective–but these songs just came out. The EPs were ambitious, following hard on the first record, Charm School, but this is the opposite of ambitious. It's resting on laurels, and it's too soon for that.

Skip it.